1960'larda ve 1970'lerde müzikte minimalist estetik ve Steve Reich'ın "Music for 18 Musicians" adlı yapıtının incelenmesi - Minimalist yaklaşımla bir eser bestelenmesi
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Tarih
2019
Yazarlar
Dergi Başlığı
Dergi ISSN
Cilt Başlığı
Yayıncı
Ege Üniversitesi, Sosyal Bilimler Enstitüsü
Erişim Hakkı
info:eu-repo/semantics/openAccess
Özet
Steve Reich’ın Music For 18 Musicians adlı yapıtı, bir Ewe müziği olan Gahu,
Bali Gamelan’ı, Notre-Dame polifoni okulundan Perotin’in kanonik yaklaşımları ve caz
saksafoncusu John Coltrane’in modalitesi gibi müzik kültürü açısından birbirinden
farklı pek çok disipline ait tekniği ve anlayışı bir araya getiren bir başyapıttır. Tezde
minimalist bir besteci olarak kabul edilen Steve Reich’ın komposizyonları başta Music
For 18 Musicians olmak üzere, gerek besteleme teknikleri gerekse felsefi açıdan
incelenerek bestecinin minimalizme katkıları ele alınmıştır. Bunun yanı sıra
minimalizmin temel prensipleri ve tarihsel-kültürel özelliklerinin belirlenmesi
amaçlanmıştır. Bu bağlamda Soyut Dışavurumculuk ve Minimalizm akımları arasındaki
felsefi karşıtlıklar incelenmiş, bu çatışmaların Steve Reich’ın müziğindeki yansımaları
ortaya konmuştur. Bunlara ek olarak bestecinin kompozisyon teknikleri etüd edilmiş ve
bu tekniklerden faydalanmak vasıtası ile yeni bir müzik parçası bestelenmiştir.
Steve Reich's Music for 18 Musicians is a masterpiece that combines the technique and understanding of many different disciplines in terms of music culture, such as Gahu of Ewe music, Bali Gamelan, Perotin's canonical approaches from Notre- Dame polyphony school and the modality of jazz saxophonist John Coltrane. In this thesis, compositions of Steve Reich, who is accepted as a minimalist composer, have been examined in terms of both compositional techniques and philosophical aspects, especially Music for 18 Musicians, and their contributions to minimalism have been discussed. Besides, it has been aimed to determine the basic principles and historicalcultural characteristics of minimalism. In this context, the philosophical contradictions between Abstract Expressionism and Minimalism movements have been examined and the reflections of these conflicts on Steve Reich's music have been revealed. In addition, the composer's composition techniques have been studied and a new piece of Minimalist music has been composed under present conditions.
Steve Reich's Music for 18 Musicians is a masterpiece that combines the technique and understanding of many different disciplines in terms of music culture, such as Gahu of Ewe music, Bali Gamelan, Perotin's canonical approaches from Notre- Dame polyphony school and the modality of jazz saxophonist John Coltrane. In this thesis, compositions of Steve Reich, who is accepted as a minimalist composer, have been examined in terms of both compositional techniques and philosophical aspects, especially Music for 18 Musicians, and their contributions to minimalism have been discussed. Besides, it has been aimed to determine the basic principles and historicalcultural characteristics of minimalism. In this context, the philosophical contradictions between Abstract Expressionism and Minimalism movements have been examined and the reflections of these conflicts on Steve Reich's music have been revealed. In addition, the composer's composition techniques have been studied and a new piece of Minimalist music has been composed under present conditions.
Açıklama
Anahtar Kelimeler
Minimalizm, Drone, Cue, Teyp Müziği, Poliritim, Soyut Dışavurumculuk, Minimalism
