Kitle İletişim Araçları Sayesinde Yerelden Ulusala Taşınan Bir Çalgı: Kabak Kemane
Küçük Resim Yok
Tarih
2017
Yazarlar
Dergi Başlığı
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Cilt Başlığı
Yayıncı
Erişim Hakkı
info:eu-repo/semantics/openAccess
Özet
Kabak kemane, geleneksel Türk halk müziği çalgıları içerisinde yer alan yaylı bir çalgı- dır. 1950’li yıllara kadar daha çok Batı Anadolu’nun dağ köylerinde yaşayan Yörükler tarafından icra edilmiştir. 1950’li yıllardan itibaren, Türkiye Radyosu Yurttan Sesler Topluluğu içerisinde yer almaya başlayan kabak kemane, bu sayede önce radyo, daha sonra hem radyo hem televizyon programlarında kullanılmaya başlamıştır. Yurttan Sesler Topluluğu’ndaki icralarla kırsal alandan kent ortamına taşınan kabak kemane, aynı zamanda işitsel ve görsel iletişim araçları sayesinde yerel bir çalgı olmaktan çıkıp ulusal bir çalgı haline dönüşmüştür. Bu makalede, 1950’li yıllara kadar Batı Anadolu köylerindeki yerel icracılar tarafından icra edilen kabak kemane hakkında bilgi veril- miş, daha sonra radyolarda yayınlanan Türk halk müziği programlarında ne şekilde kullanılmaya başlandığı incelenmiş ve böylece, kabak kemanenin kırsaldan kente, ye- relden ulusala yaygınlaşması icra bağlamında değerlendirilmiştir. Bu yaygınlaşma sıra- sında gerek kabak kemanenin özellikleri, gerekse icracıları, icra ortamları ve kabak kemane repertuvarında meydana gelen değişim ayrıntılı olarak tartışılmıştır.
Kabak kemane is one of the bowed string instruments performed in traditional Turkish folk music. By the time 1950’s, it had been mostly played by nomadic villagers living in mountain villages located in western Anatolia. From 1950’s, kabak kemane has been performed by the musicians of “The Community of Music and Voices From Turkey”. By this means, it has been started to appear on radio and television broadcasts. Kabak kemane has become a national instrument because it was carried from rural area to urban through the performances of “The Community of Music and Voices From Turkey” on the audiovisual media. In this article, kabak kemane, merely played by nomadic villagers living in mountain villages located in western Anatolia by the time 1950’s, is introduced. Also how it was started to perform in Turkish folk music broad- casts on tv’s and radio is examined. Thus, being transmitted of kabak kemane from rural to urban and from local to national are evaluated. Moreover, the structural properties of kabak kemane, its performers, its performance context and change in its repertory in this transmission process are evaluated.
Kabak kemane is one of the bowed string instruments performed in traditional Turkish folk music. By the time 1950’s, it had been mostly played by nomadic villagers living in mountain villages located in western Anatolia. From 1950’s, kabak kemane has been performed by the musicians of “The Community of Music and Voices From Turkey”. By this means, it has been started to appear on radio and television broadcasts. Kabak kemane has become a national instrument because it was carried from rural area to urban through the performances of “The Community of Music and Voices From Turkey” on the audiovisual media. In this article, kabak kemane, merely played by nomadic villagers living in mountain villages located in western Anatolia by the time 1950’s, is introduced. Also how it was started to perform in Turkish folk music broad- casts on tv’s and radio is examined. Thus, being transmitted of kabak kemane from rural to urban and from local to national are evaluated. Moreover, the structural properties of kabak kemane, its performers, its performance context and change in its repertory in this transmission process are evaluated.
Açıklama
Anahtar Kelimeler
Kültürel Çalışmalar
Kaynak
Türk Dünyası İncelemeleri Dergisi
WoS Q Değeri
Scopus Q Değeri
Cilt
17
Sayı
1
