2013-2014 Yılı Edirne Yeni Saray Kazısı İznik ve Kütahya Seramikleri
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Tarih
2019
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Erişim Hakkı
info:eu-repo/semantics/openAccess
Özet
Bu çalışmanın içeriğini 2013-2014 yıllarında Edirne Yeni Saray’da gerçekleştirilen kazılarda bulunmuş İznik ve Kütahya seramikleri oluşturmaktadır. Saray 15. yüzyıl ilk yarısının sonlarında inşa edilmeye başlamış ve sonrasında Osmanlı padişahlarınca sürekli kullanılmıştır. 18. yüzyıldan itibaren klasik dönemdeki önemini kaybetmeye başlayan saray, Osmanlı-Rus Savaşı ile yıkım sürecine girmiştir. Cumhuriyet Dönemi’nde farklı yıllarda yapılan kazı çalışmaları ile sarayın mimari özellikleri yanında sarayda kullanılan eşyalar da gün yüzüne çıkarılmaya çalışılmaktadır. Bu malzemelerden olan İznik ve Kütahya seramikleri, sarayda kullanılan ithal seramiklerin yanında özel bir konuma sahiptir. Bezeme teknikleri aynı olsa da renkleri ve motifleri farklılık gösteren bu seramikler Osmanlı’nın bir dönemki zevk anlayışını yansıtmaları açısından birer belge niteliği taşımaktadır. Tek renk ve çok renk boyalı İznik seramiklerinde mavi-beyaz seramikler 15. yüzyıl sonu 16. yüzyıl ilk yarısının bezeme anlayışını, çok renk boyalılar ise tamamıyla Osmanlı’nın kendine has bezeme anlayışını yansıtmaktadır. Kütahya seramiklerinde en dikkat çekici form olan fincanlarda ve az sayıdaki kâse parçasında Kütahya’nın kendine özgü tek ve çok renk boyalı üslubunu görmek mümkündür. 18. yüzyıla tarihlendirilen bu örneklerin kimilerinde Çin etkileri görülürken kimileri tamamıyla Kütahyalı seramikçilerin kendi üsluplarını bize gösterir. Bu çalışmada 2013-2014 yıllarında bulunan İznik ve Kütahya seramiklerinin Osmanlı seramikleri içerisindeki yerinin saptanması amaçlanmıştır.
The content of this work consists of the ceramics of İznik and Kütahya which were found in excavation carried out in Edirne Yeni Saray in 2013-2014. This palace began to be built at the end of the first half of 15th century and thereafter it was continuously used by Ottoman sultans. the palace, which started to lose its significance in classical period from 18th century, entered into the process of demolition by means of Ottoman-Russia war. Besides the architectural features of the palace with the excavation works made in different years in Republic Period, the things used in the palace are also endeavoured to be unearthed. the ceramics of İznik and Kütahya from these materials have a crucial position alongside of imported ceramics which were used in the palace. Even though the adornment techniques are the same, these ceramics of which colours and motifs show difference have the characteristics of a document in terms of reflection of pleasure approach of a period of Ottoman. While the blue-white ceramics show the adornment approach of end of 15th century and first half of 16th century, multi-coloured ones reflect the adornment approach of Ottoman entirely in solid-coloured and multi-coloured İznik ceramics. It is possible to see single and multi-coloured dyed style of Kütahya in cups which are most notably form and a couple of part of bowl in Kütahya ceramics. While Chinese influence is observed in some of these samples that are dated as 18th century, some of them shows us the style of ceramists from Kütahya entirely. in this work, it is aimed to determine the position of ceramics of İznik and Kütahya which were found in 2013-2014 within Ottoman ceramics.
The content of this work consists of the ceramics of İznik and Kütahya which were found in excavation carried out in Edirne Yeni Saray in 2013-2014. This palace began to be built at the end of the first half of 15th century and thereafter it was continuously used by Ottoman sultans. the palace, which started to lose its significance in classical period from 18th century, entered into the process of demolition by means of Ottoman-Russia war. Besides the architectural features of the palace with the excavation works made in different years in Republic Period, the things used in the palace are also endeavoured to be unearthed. the ceramics of İznik and Kütahya from these materials have a crucial position alongside of imported ceramics which were used in the palace. Even though the adornment techniques are the same, these ceramics of which colours and motifs show difference have the characteristics of a document in terms of reflection of pleasure approach of a period of Ottoman. While the blue-white ceramics show the adornment approach of end of 15th century and first half of 16th century, multi-coloured ones reflect the adornment approach of Ottoman entirely in solid-coloured and multi-coloured İznik ceramics. It is possible to see single and multi-coloured dyed style of Kütahya in cups which are most notably form and a couple of part of bowl in Kütahya ceramics. While Chinese influence is observed in some of these samples that are dated as 18th century, some of them shows us the style of ceramists from Kütahya entirely. in this work, it is aimed to determine the position of ceramics of İznik and Kütahya which were found in 2013-2014 within Ottoman ceramics.
Açıklama
Anahtar Kelimeler
Beşeri Bilimler
Kaynak
Celal Bayar Üniversitesi Sosyal Bilimler Dergisi
WoS Q Değeri
Scopus Q Değeri
Cilt
17
Sayı
3
