Resimden Edebiyata Kadın ve Kedi
Küçük Resim Yok
Tarih
2019
Yazarlar
Dergi Başlığı
Dergi ISSN
Cilt Başlığı
Yayıncı
Erişim Hakkı
info:eu-repo/semantics/openAccess
Özet
Kediler, eski çağlardan beri pek çok şeyin sembolü olmuş, bazen eski Mısır’da olduğu gibi kutsal sayılıp tapılmış, bazen de Ortaçağ Hıristiyan dünyasında şeytanla işbirliği halinde olduğu düşünülen kadınlarla birlikte katledilmiştir. Değişik kültürlerde bakışından rengine, cinsine, yaşayış şekline kadar kediye çok çeşitli anlamlar yüklenmiştir. Zıt duygular içeren ikiliğiyle, uyuşukluktan çılgınlığa geçen beklenmedik sıçrayışlarıyla, kararsız ruh halinin oyunlaştırmalarıyla kedinin gizemli tarafına sürekli dikkat çekilmiştir. Goya, Manet gibi ressamlar kadınların dişiliğini, özgürlüğünü, karanlık taraflarını kedi resimleriyle vurgulamaya çalışmışlardır. Türk edebiyatında kadın ve kedi ilişkisi, bizim bu çalışmada üzerinde duracağımız Samipaşazade Sezai, Tevfik Fikret, Halit Ziya, Hüseyin Rahmi, Yakup Kadri, Behçet Necatigil, Nazım Hikmet, Cahit Külebi gibi yazar ve şairlerin dışında başka sanatçılar tarafından da ele alınmıştır. Kadının kediyle ilişkilendirildiği eserlerde daha çok vefasızlık, tekinsizlik, hırçınlık gibi kötücül duygular ön plana çıkarılmıştır.
Cats have been symbols of many things since ancient times, sometimes they were sacred and worshiped as in ancient Egypt, and sometimes they were murdered together with women who were thought to be in cooperation with the devil as in the Christian world of the Middle Ages. Cat has been loaded with a variety of meanings from its look to its color, species and life style. Due to its dualistic emotions, unexpected leaps from numbness to madness, and the playfulness of its unstable mood, constant attention was drawn to the mysterious side of the cat. Painters such as Goya and Manet tried to emphasize the femininity, freedom and dark sides of women with cat pictures. the relationship between women and cats in Turkish literature was discussed by other artists as well as writers and poets such as Samipaşazade Sezai, Tevfik Fikret, Halit Ziya, Hüseyin Rahmi, Yakup Kadri, Behçet Necatigil, Nâzım Hikmet and Cahit Külebi on whom we will focus in this study. in the works where the woman is associated with the cat, malicious emotions such as disloyalty, uncanny and frustration are highlighted.
Cats have been symbols of many things since ancient times, sometimes they were sacred and worshiped as in ancient Egypt, and sometimes they were murdered together with women who were thought to be in cooperation with the devil as in the Christian world of the Middle Ages. Cat has been loaded with a variety of meanings from its look to its color, species and life style. Due to its dualistic emotions, unexpected leaps from numbness to madness, and the playfulness of its unstable mood, constant attention was drawn to the mysterious side of the cat. Painters such as Goya and Manet tried to emphasize the femininity, freedom and dark sides of women with cat pictures. the relationship between women and cats in Turkish literature was discussed by other artists as well as writers and poets such as Samipaşazade Sezai, Tevfik Fikret, Halit Ziya, Hüseyin Rahmi, Yakup Kadri, Behçet Necatigil, Nâzım Hikmet and Cahit Külebi on whom we will focus in this study. in the works where the woman is associated with the cat, malicious emotions such as disloyalty, uncanny and frustration are highlighted.
Açıklama
Anahtar Kelimeler
Beşeri Bilimler
Kaynak
Celal Bayar Üniversitesi Sosyal Bilimler Dergisi
WoS Q Değeri
Scopus Q Değeri
Cilt
17
Sayı
1
