19. yüzyıl Avrupa resim sanatı aracılığıyla dönemin kadın giysileri ve modası
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Tarih
2018
Yazarlar
Dergi Başlığı
Dergi ISSN
Cilt Başlığı
Yayıncı
Ege Üniversitesi, Sosyal Bilimleri Enstitüsü
Erişim Hakkı
info:eu-repo/semantics/openAccess
Özet
“19.Yüzyıl Avrupa Resim Sanatı Aracılığıyla Dönemin Kadın Giysileri ve Modası” adlı çalışmada, yüzyıl boyunca kadınların değişen giysileri, resim sanatı eserleri aracılığıyla değerlendirilmiştir. Dönem boyunca izlenen kıyafetlerin, Avrupa’nın genelini ilgilendiren siyasal, toplumsal, teknolojik ve ekonomik gelişmelerle paralel bir değişim gösterdiği görülmüştür. Sanatçıların eserlerini üretirken, aynı gelişmelerden etkilendiği gözlenmiş, değişen sanat anlayışı ve beraberinde “sipariş sanat” kavramının oluşması, eserlerde kadın giysilerinin belirgin tasvirini desteklemiştir. Dönemin sanat eserlerini incelerken, dönemin belli başlı sanat akımları olan; Yeni Klasikçilik, Romantizm, Realizm, Pre-Rafaelizm, Empresyonizm ve Post-Empresyonizm akımları incelenmiş, ancak çalışmayı en iyi yansıtan eserlerin, Empresyonizm akımı eşliğinde üretilenler olduğu gözlenmiştir. Dönem giysileri ve kadın modası araştırılırken, görsellerin ve konunun kendini tekrar etmemesi amacıyla, çalışmayı en iyi yansıtan eserler seçilmiştir. Kaynaklarda bahsi geçen dönemsel kadın giysisi çeşit ve eğilimlerinin, Avrupa Resim Sanatı eserlerinde açıkça görüldüğü sonucuna varılmıştır. Bu sayede, yüzyıl içerisinde kadınların, hareket imkanlarını engelleyecek ve onları fonksiyonsuz kılan rahatsız kıyafetlerden, kendilerini erkeklerle eşit kılan, seçme ve seçilme hakkına sahip olmalarına imkan veren rahat ve özgürlükçü kıyafetlere uzanan yoldaki gelişimleri, adım adım incelenmiştir.
This research entitled, “Woman Clothes and Fashion Through The Art of 19. Century European Paintings”, examines the development of woman clothes during the century through the art of paintings. It is observed that, the changes among the women clothes are quite parallel to the changes of political, social, technological and economical dynamics in the Europe. The artists were influenced by exactly the same headings while they are creating their paintings. As a result of this, the concept of art has changed. The new concept “ordered art” has occurred and this encourages the depiction of woman clothes in the paintings. Through the examination of 19. Century European Art; the most common movements like Neo-Classicism, Romanticism, Realism, Pre-Raphaelite, Impressionism and Post-Impressionism were observed. It was seen that the Impressionist painters used to reflect the periods’ fashion attributions most efficiently. In order to avoid repeating the headings, the most reflective paintings were chosen. It is observed that the clothes types, and the rising trends of the women fashion were intensively depicted by the leading 19. Century paintings. By the research, it is seen that, the women -who used to wear very uncomfortable corsets and play a very unfunctional mission in the social life by the beginning of the century-promoted to a unisex style which lets them compete with the man. This might be accepted as the journey of women to handle the right to choose and to be chosen.
This research entitled, “Woman Clothes and Fashion Through The Art of 19. Century European Paintings”, examines the development of woman clothes during the century through the art of paintings. It is observed that, the changes among the women clothes are quite parallel to the changes of political, social, technological and economical dynamics in the Europe. The artists were influenced by exactly the same headings while they are creating their paintings. As a result of this, the concept of art has changed. The new concept “ordered art” has occurred and this encourages the depiction of woman clothes in the paintings. Through the examination of 19. Century European Art; the most common movements like Neo-Classicism, Romanticism, Realism, Pre-Raphaelite, Impressionism and Post-Impressionism were observed. It was seen that the Impressionist painters used to reflect the periods’ fashion attributions most efficiently. In order to avoid repeating the headings, the most reflective paintings were chosen. It is observed that the clothes types, and the rising trends of the women fashion were intensively depicted by the leading 19. Century paintings. By the research, it is seen that, the women -who used to wear very uncomfortable corsets and play a very unfunctional mission in the social life by the beginning of the century-promoted to a unisex style which lets them compete with the man. This might be accepted as the journey of women to handle the right to choose and to be chosen.
